l'esthétique

my other blog: http://sexpectations.tumblr.com/
wehadfacesthen:

Judy Garland and Fred Astaire resting between takes of the Couple of Swells number in Easter Parade (Charles Walters, 1948)

wehadfacesthen:

Judy Garland and Fred Astaire resting between takes of the Couple of Swells number in Easter Parade (Charles Walters, 1948)

(via suicideblonde)

We are witnessing and sometimes personally experiencing a sharp de-classing of intellectuals. Our precious credentials are increasingly useless for generating income and — let us hope — social prestige, too. This should mean that most intellectuals view ourselves as sinking, economically, into the lower-middle or working class, and that “meritocratic” markers — the contents of our bookshelves and iPods; our degrees — accord us less and less social status in our own and others’ eyes. Not to say there won’t remain a self-protective cultural elite hoarding its prestige: the hostility to criticism among mutually appreciative writers, artists, and academics — an aversion to meaningful disputes — is contemporary evidence of such a siege mentality. But we can also hope for something else: perhaps intellectuals’ increasing exposure to socioeconomic danger will give a new political dangerousness and reality to what some of us produce. Might the continuing commitment of de-classed left intellectuals and radical artists to their vocations, in spite of withered prospects and eroding prestige, give our work an antisystemic force, and credibility, it has lacked?

cinoh:

Vessel
Period:Iron AgeDate:ca. 8th–7th century B.C.Geography:PhrygiaCulture:PhrygianMedium:CeramicDimensions:4.37 x 3.7 in. (11.1 x 9.4 cm)Classification:Ceramics-Vessels

cinoh:

Vessel

Period:Iron AgeDate:ca. 8th–7th century B.C.Geography:PhrygiaCulture:PhrygianMedium:CeramicDimensions:4.37 x 3.7 in. (11.1 x 9.4 cm)Classification:Ceramics-Vessels